“I’m laughing on the outside, crying on the inside.” It’s Sunday, and Darrick is preparing lunch while humming a tune. His wife and daughters are out shopping. He finishes cooking and heads to his basement workshop, where a figure is strapped to a table. He greets the figure, turns on the radio, and prepares his tools. He engages in a disturbing interaction, his actions implied rather than explicitly described. The scene ends with him preparing to continue his actions.